  {"id":18342,"date":"2026-01-15T16:06:08","date_gmt":"2026-01-15T21:06:08","guid":{"rendered":"https:\/\/www.qc.cuny.edu\/academics\/music\/?page_id=18342"},"modified":"2026-01-15T16:06:11","modified_gmt":"2026-01-15T21:06:11","slug":"bill-moss-2","status":"publish","type":"page","link":"https:\/\/www.qc.cuny.edu\/academics\/music\/bill-moss-2\/","title":{"rendered":"Bill Moss"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; top_divider_color=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;3_5,2_5&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;|||5px||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][dsm_text_divider header=&#8221;Bill Moss&#8221; text_alignment=&#8221;left&#8221; color=&#8221;RGBA(255,255,255,0)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;Open Sans|700|||||||&#8221; header_font_size=&#8221;60px&#8221; width=&#8221;100%&#8221; custom_padding=&#8221;|||0px||&#8221; global_colors_info=&#8221;{}&#8221;][\/dsm_text_divider][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;18px&#8221; custom_padding=&#8221;|||10px||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span>Adjunct Lecturer<\/span><\/h3>\n<p><span><\/span><\/p>\n<p><span><\/span><\/p>\n<p><strong>Fields of Study:<\/strong><br \/><span>Music Production<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.qc.cuny.edu\/academics\/music\/wp-content\/uploads\/sites\/149\/2026\/01\/Bill-Moss.jpeg&#8221; alt=&#8221;Bruce Saylor, Professor, Composition&#8221; title_text=&#8221;Bill Moss&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;66%&#8221; custom_margin=&#8221;||25px||false|false&#8221; custom_padding=&#8221;0px||0px|0px|false|false&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_color=&#8221;#E71939&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;15px&#8221; custom_padding=&#8221;|||7px||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Biographical Information:<\/strong><\/p>\n<p>Bill Moss is a freelance recording engineer and sound designer based in New York. He started his career at the legendary Nola Recording Studios high above Steinway Hall. There, under the mentorship of Jim Czak and John Post, Bill learned classic analog recording techniques, working with reel to reel tape and ensembles of all sizes playing together in a room. Nola had quite a diverse client list, from Marilyn Horne to Lena Horne, the cast of Rent to the cast of Sesame Street. Over a nearly 20 year span, Bill worked on thousands of recording sessions with a venerable \u201cWho\u2019s Who\u201d of Jazz and the Great American Songbook. Highlights included Lionel Hampton, Michael Feinstein, John Pizzarelli, Frank Wess, Harry Allen, Dick Hyman, Dave Frishberg, Don Sebesky and hundreds more. The fruits of that long stint at Nola include; a Latin Grammy (The Chico O\u2019Farrill Afro-Cuban Jazz Orchestra: Final Night At Birdland), Nominations for 3 Daytime Emmys (Sesame Street) and a Grammy Nomination for Best Engineered, Non-classical recording (Elvis Costello: North). As digital recording gained a larger foothold in the professional audio industry, Bill was able to take those tried and true techniques and transition them to the ProTools world. This expanded his production skills into concert recording for live broadcast (Sirius\/XM, WNYC Radio, NPR), and album releases from a wide range of venues including; Birdland, The Blue Note, BB Kings, Carnegie Hall, Alice Tully Hall, Merkin Concert Hall, The Oak Room at the Algonquin Hotel and Symphony Space. In 2015, Bill joined New York Public Radio as a Senior Broadcast Engineer, and mixed hundreds of news features, and worked on many award-winning Podcasts (Trump Inc, The United States of Anxiety, There Goes the Neighborhood), Currently, Bill has his own production company that mixes Podcasts for a number of clients (A&amp;E, Lemonada Media, Audible, Business Insider) and continues to record, mix and master albums across a range of genres.<\/p>\n<p>bill@billmossrecording.com<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.qc.cuny.edu\/academics\/music\/faculty&#8221; button_text=&#8221;Back to Faculty Listings&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;16px&#8221; button_text_color=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p><div class=\"et_pb_module dsm_text_divider dsm_text_divider_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module_inner\">\n\t\t\t\t\t<div class=\"dsm-text-divider-wrapper dsm-text-divider-align-left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"dsm-text-divider-before dsm-divider\"><\/div>\n\t\t\t\t<h3 class=\"dsm-text-divider-header et_pb_module_header\"><span>Bill Moss<\/span><\/h3>\n\t\t\t\t<div class=\"dsm-text-divider-after dsm-divider\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>Adjunct Lecturer Fields of Study:Music Production &nbsp;Biographical Information: Bill Moss is a freelance recording engineer and sound designer based in New York. He started his career at the legendary Nola Recording Studios high above Steinway Hall. There, under the mentorship of Jim Czak [&hellip;]<\/p>\n","protected":false},"author":182,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"page_category":[],"wf_page_folders":[366],"class_list":["post-18342","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/music\/wp-json\/wp\/v2\/pages\/18342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/music\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/music\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/music\/wp-json\/wp\/v2\/users\/182"}],"replies":[{"embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/music\/wp-json\/wp\/v2\/comments?post=18342"}],"version-history":[{"count":0,"href":"https:\/\/www.qc.cuny.edu\/academics\/music\/wp-json\/wp\/v2\/pages\/18342\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.qc.cuny.edu\/academics\/music\/wp-json\/wp\/v2\/media?parent=18342"}],"wp:term":[{"taxonomy":"page_category","embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/music\/wp-json\/wp\/v2\/page_category?post=18342"},{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/www.qc.cuny.edu\/academics\/music\/wp-json\/wp\/v2\/wf_page_folders?post=18342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}