[et_pb_section fb_built=”1″ _builder_version=”4.27.2″ _module_preset=”default” background_enable_color=”off” top_divider_color=”#FFFFFF” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||||false|false” custom_padding=”|||5px||” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][dsm_text_divider header=”Mary Nessinger” text_alignment=”left” color=”RGBA(255,255,255,0)” _builder_version=”4.27.4″ _module_preset=”default” header_font=”Open Sans|700|||||||” header_font_size=”60px” width=”100%” custom_padding=”|||0px||” global_colors_info=”{}”][\/dsm_text_divider][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”18px” custom_padding=”|||10px||” global_colors_info=”{}”]<\/p>\n
<\/strong><\/p>\n Fields of Study:<\/strong> Vocal Performance\u00a0<\/span><\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.qc.cuny.edu\/academics\/music\/wp-content\/uploads\/sites\/149\/2025\/10\/Mary-Nessinger.jpg” alt=”Bruce Saylor, Professor, Composition” title_text=”Screenshot” _builder_version=”4.27.4″ _module_preset=”default” width=”66%” custom_margin=”||25px||false|false” custom_padding=”0px||0px|0px|false|false” box_shadow_style=”preset4″ box_shadow_color=”#E71939″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”15px” custom_padding=”|||7px||” global_colors_info=”{}”]<\/p>\n Biographical Information:<\/strong><\/p>\n Mary Nessinger has been heard in concert and recital throughout the United States and Europe, and is in demand for her critically acclaimed performances of some of last and this century\u2019s most dynamic works and for her astute interpretations of standard repertoire. Of recent performances, The New York Times has praised her \u201cremarkable fluidity and beauty of tone\u201d, and described her interpretive skills as \u201ca tour de force of characterization\u201d; the New Yorker has heralded her \u201cexacting musicianship and quiet dignity (which) have made her a fixture of the New York scene.\u201d Ms. Nessinger has been heard as a soloist in some of this country\u2019s finest venues, including Carnegie, Alice Tully, Avery Fisher and Merkin Halls, and the Metropolitan Museum of Art; the Freer Gallery in Washington D.C.; Jordan Hall and the Gardner Museum in Boston; and she has appeared internationally at the Wigmore Hall in London, the Kammermusiksaal der Philharmonie in Berlin, the Queen\u2019s Hall in Edinburgh, and the Glasgow Royal Concert Hall. In addition to works from the standard repertoire, Ms. Nessinger has devoted herself to the performance of new music. She has enjoyed a close working relationship with some of contemporary music\u2019s brightest and most innovative composers including Lee Hyla, John Harbison, Haflidi Hallgrimsson, Harold Meltzer, Earl Kim, George Rochberg, Bernard Rands, George Crumb, Simon Bainbridge, Mathew Rosenblum, Jason Eckardt, Eric Moe, Pia Gilbert, and Ezra Sims. Always intrigued by the versatility that the singer\u2019s repertoire can afford, Ms. Nessinger obtained her Bachelor of Music degree, cum laude, at Saint Mary\u2019s College, Notre Dame, and afterward studied at the Eastman School with Seth McCoy and Jan DeGaetani, and in New York with Chloe Owen. She served on the voice faculty of Princeton University until 2008, has been a member of the Vassar College voice faculty since 2004, and created the vocal program at the Special Music School High School in 2012. As a chamber musician, Ms. Nessinger has collaborated with many fine artists, including Peter Serkin, Mitsuko Uchida, Robert Spano, Ida Kavafian, Fred Sherry, David Shiffrin, Daniel Phillips, Peter Wiley, and Martin Lovett (Amadeus Quartet). In Ms. Nessinger\u2019s work with orchestra, she has been a soloist with the Baltimore, Grand Rapids, Jacksonville and London Symphonies, the Brooklyn Philharmonic, the Saint Paul Chamber Orchestra, and the Boston Modern Orchestra Project. Her collaborative work has found her performing with the Chamber Music Society of Lincoln Center, New Millennium Ensemble, the Hebrides Ensemble (Scotland), the Brentano, Colorado, Pacifica, and Orion String Quartets, the Endellion String Quartet (London), and as a guest artist at the Tanglewood Music Festival and the Ravinia Festival. She has participated in the Santa Fe, Chamber Music Northwest, Marlboro, Music from Angel Fire, Aspen, International Musicians\u2019 Seminar Open Chamber Music, Skaneateles, Music from Salem, Tannery Pond, Salt Bay Chamberfest, Kingston (RI), Crested Butte, Portland (Maine) Chamber Music, and New England Bach Festivals; and has toured under the auspices of \u201cMusicians from Marlboro\u201d and the International Musicians\u2019 Seminar in England. Ms. Nessinger has recorded for Deutsche Grammophon, Nonesuch, Tzadik, CRI, New World, Naxos, Ondine, Mode, and Koch International labels. She and her two daughters live in New York City<\/span><\/p>\n <\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/www.qc.cuny.edu\/academics\/music\/faculty” button_text=”Back to Faculty Listings” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#000000″ global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
<\/span><\/p>\nMary Nessinger<\/span><\/h3>\n\t\t\t\t