  {"id":14938,"date":"2024-12-02T17:58:01","date_gmt":"2024-12-02T22:58:01","guid":{"rendered":"http:\/\/149.4.100.129\/academics\/prod6\/?page_id=14938"},"modified":"2025-03-17T13:51:50","modified_gmt":"2025-03-17T17:51:50","slug":"mark-anson-cartwright","status":"publish","type":"page","link":"https:\/\/www.qc.cuny.edu\/academics\/music\/mark-anson-cartwright\/","title":{"rendered":"Mark Anson-Cartwright"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; top_divider_color=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;3_5,2_5&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;60%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][dsm_text_divider header=&#8221;Mark Anson-Cartwright&#8221; text_alignment=&#8221;left&#8221; divider_style=&#8221;none&#8221; module_id=&#8221;programs&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;Open Sans|700|||||||&#8221; header_text_color=&#8221;#e71939&#8243; header_font_size=&#8221;60px&#8221; custom_margin=&#8221;|||-10px|false|false&#8221; custom_padding=&#8221;|||5px|false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/dsm_text_divider][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;17px&#8221; header_font_size=&#8221;32px&#8221; width=&#8221;100%&#8221; custom_margin=&#8221;|||10px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span>Associate Professor<\/span><\/h3>\n<p><strong>Fields of Study:<\/strong> <span>Music Theory<\/span><\/p>\n<p><strong>Degrees &amp; Studies: <\/strong><br \/><span>PhD, City University of New York<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.qc.cuny.edu\/academics\/prod6\/wp-content\/uploads\/sites\/149\/2024\/12\/mark-anson-cartwright-faculty.jpg&#8221; alt=&#8221;Mark Anson-Cartwright, Professor&#8221; title_text=&#8221;mark-anson-cartwright-faculty&#8221; align=&#8221;right&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;73.7%&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_color=&#8221;#E71939&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;60.4%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Open Sans||||||||&#8221; text_font_size=&#8221;15px&#8221; header_4_font=&#8221;Open Sans|700|||||||&#8221; header_4_text_color=&#8221;#000000&#8243; header_4_font_size=&#8221;25px&#8221; custom_margin=&#8221;-21px|||12px|false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Biographical Information: <\/strong><br \/><span>Mark Anson-Cartwright is a music theorist specializing in music of the common practice era. His recent research focuses on the music of J.S. Bach. His articles and reviews have appeared in numerous books and journals, including Journal of Music Theory,\u00a0 Music Analysis, Music Theory Spectrum, Eighteenth-Century Music, and Theory and Practice. He is currently working on an analytical study of Bach\u2019s Goldberg Variations.<\/span><\/p>\n<p><strong>Office:<\/strong> Music Building 319<\/p>\n<p><strong>Phone:<\/strong> (<span>718) 997-3852<\/span><\/p>\n<p><strong>Email:<\/strong> <a href=\"mailto:mark.ansoncartwright@qc.cuny.edu\">mark.ansoncartwright@qc.cuny.edu<\/a><\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.qc.cuny.edu\/academics\/music\/faculty\/&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Back to Faculty Listings&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;16px&#8221; button_text_color=&#8221;#000000&#8243; button_bg_color=&#8221;#FFFFFF&#8221; button_border_radius=&#8221;0px&#8221; button_font=&#8221;Open Sans|600|||||||&#8221; button_use_icon=&#8221;off&#8221; custom_margin=&#8221;|5px|5px||false|false&#8221; custom_padding=&#8221;|||17px|false|false&#8221; custom_css_main_element=&#8221;text-decoration: none;&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; button_text_color__hover_enabled=&#8221;on|hover&#8221; button_text_color__hover=&#8221;#FFFFFF&#8221; button_bg_color__hover_enabled=&#8221;on|hover&#8221; button_bg_color__hover=&#8221;#000000&#8243; button_bg_enable_color__hover=&#8221;on&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p><div id=\"programs\" class=\"et_pb_module dsm_text_divider dsm_text_divider_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module_inner\">\n\t\t\t\t\t<div id=\"programs\" class=\"dsm-text-divider-wrapper dsm-text-divider-align-left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"dsm-text-divider-before dsm-divider\"><\/div>\n\t\t\t\t<h3 class=\"dsm-text-divider-header et_pb_module_header\"><span>Mark Anson-Cartwright<\/span><\/h3>\n\t\t\t\t<div class=\"dsm-text-divider-after dsm-divider\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>Associate Professor Fields of Study: Music Theory Degrees &amp; Studies: PhD, City University of New YorkBiographical Information: Mark Anson-Cartwright is a music theorist specializing in music of the common practice era. His recent research focuses on the music of J.S. 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