{"id":8580,"date":"2022-04-25T15:10:08","date_gmt":"2022-04-25T19:10:08","guid":{"rendered":"http:/academics/cl/wp-json/wp/v2/pages/8580///academics/cl/wp-json/wp/v2/pages/8580//149.4.100.129/academics/cl/wp-json/wp/v2/pages/8580//academics/academics/cl/wp-json/wp/v2/pages/8580//cl/academics/cl/wp-json/wp/v2/pages/8580//?page_id=8580"},"modified":"2022-11-17T12:12:52","modified_gmt":"2022-11-17T17:12:52","slug":"andrea-khalil","status":"publish","type":"page","link":"https:/academics/cl/wp-json/wp/v2/pages/8580///academics/cl/wp-json/wp/v2/pages/8580//www.qc.cuny.edu/academics/cl/wp-json/wp/v2/pages/8580//academics/academics/cl/wp-json/wp/v2/pages/8580//cl/academics/cl/wp-json/wp/v2/pages/8580//faculty/academics/cl/wp-json/wp/v2/pages/8580//andrea-khalil/academics/cl/wp-json/wp/v2/pages/8580//","title":{"rendered":"Andrea Khalil"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.17.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.17.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.17.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.19.0&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]</academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<p><img decoding=/academics/cl/wp-json/wp/v2/pages/8580/"async/academics/cl/wp-json/wp/v2/pages/8580/" class=/academics/cl/wp-json/wp/v2/pages/8580/"wp-image-8555 size-full alignright lazyload/academics/cl/wp-json/wp/v2/pages/8580/" data-src=/academics/cl/wp-json/wp/v2/pages/8580/"https:/academics/cl/wp-json/wp/v2/pages/8580///academics/cl/wp-json/wp/v2/pages/8580//www.qc.cuny.edu/academics/cl/wp-json/wp/v2/pages/8580//academics/academics/cl/wp-json/wp/v2/pages/8580//cl/academics/cl/wp-json/wp/v2/pages/8580//wp-content/academics/cl/wp-json/wp/v2/pages/8580//uploads/academics/cl/wp-json/wp/v2/pages/8580//sites/academics/cl/wp-json/wp/v2/pages/8580//75/academics/cl/wp-json/wp/v2/pages/8580//2022/academics/cl/wp-json/wp/v2/pages/8580//04/academics/cl/wp-json/wp/v2/pages/8580//andrea-khalil.jpg/academics/cl/wp-json/wp/v2/pages/8580/" alt=/academics/cl/wp-json/wp/v2/pages/8580/"Andrea Khalil Portrait/academics/cl/wp-json/wp/v2/pages/8580/" width=/academics/cl/wp-json/wp/v2/pages/8580/"200/academics/cl/wp-json/wp/v2/pages/8580/" height=/academics/cl/wp-json/wp/v2/pages/8580/"259/academics/cl/wp-json/wp/v2/pages/8580/" src=/academics/cl/wp-json/wp/v2/pages/8580/"data:image/academics/cl/wp-json/wp/v2/pages/8580//svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==/academics/cl/wp-json/wp/v2/pages/8580/" style=/academics/cl/wp-json/wp/v2/pages/8580/"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200/academics/cl/wp-json/wp/v2/pages/8580//259;/academics/cl/wp-json/wp/v2/pages/8580/" /academics/cl/wp-json/wp/v2/pages/8580//></academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<h3 class=/academics/cl/wp-json/wp/v2/pages/8580/"title/academics/cl/wp-json/wp/v2/pages/8580/">Andrea Khalil</academics/cl/wp-json/wp/v2/pages/8580//h3>/academics/cl/wp-json/wp/v2/pages/8580/n<p><strong>Professor, Comparative Literature</academics/cl/wp-json/wp/v2/pages/8580//strong><br /academics/cl/wp-json/wp/v2/pages/8580//>Queens/academics/cl/wp-json/wp/v2/pages/8580/u00a0Hall 265D<br /academics/cl/wp-json/wp/v2/pages/8580//>718-997-5684<br /academics/cl/wp-json/wp/v2/pages/8580//><a href=/academics/cl/wp-json/wp/v2/pages/8580/"mailto:andrea.khalil@qc.cuny.edu/academics/cl/wp-json/wp/v2/pages/8580/">andrea.khalil@qc.cuny.edu</academics/cl/wp-json/wp/v2/pages/8580//a></academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<p><strong>Professor, PhD Program in French</academics/cl/wp-json/wp/v2/pages/8580//strong><br /academics/cl/wp-json/wp/v2/pages/8580//>The Graduate Center, CUNY<br /academics/cl/wp-json/wp/v2/pages/8580//>365 5th Avenue<br /academics/cl/wp-json/wp/v2/pages/8580//>New York, NY 10016</academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<p><strong>Primary Concentrations</academics/cl/wp-json/wp/v2/pages/8580//strong></academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<p>Literature and Film of France, North Africa and the Middle East; postcolonial studies; film studies, cultural studies.</academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<p><strong>Education</academics/cl/wp-json/wp/v2/pages/8580//strong></academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<ul>/academics/cl/wp-json/wp/v2/pages/8580/n<li>PhD, Harvard University</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>MA, Harvard University</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n</academics/cl/wp-json/wp/v2/pages/8580//ul>/academics/cl/wp-json/wp/v2/pages/8580/n<p><strong>Books</academics/cl/wp-json/wp/v2/pages/8580//strong></academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<ul>/academics/cl/wp-json/wp/v2/pages/8580/n<li><a href=/academics/cl/wp-json/wp/v2/pages/8580/"https:/academics/cl/wp-json/wp/v2/pages/8580///academics/cl/wp-json/wp/v2/pages/8580//www.routledge.com/academics/cl/wp-json/wp/v2/pages/8580//Gender-Women-and-the-Arab-Spring/academics/cl/wp-json/wp/v2/pages/8580//Khalil/academics/cl/wp-json/wp/v2/pages/8580//p/academics/cl/wp-json/wp/v2/pages/8580//book/academics/cl/wp-json/wp/v2/pages/8580//9781138815223/academics/cl/wp-json/wp/v2/pages/8580/"><em>Gender, Women and the Arab Spring. Ed. Andrea Khalil</academics/cl/wp-json/wp/v2/pages/8580//em></academics/cl/wp-json/wp/v2/pages/8580//a>. Routledge, 2015.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li><em><a href=/academics/cl/wp-json/wp/v2/pages/8580/"https:/academics/cl/wp-json/wp/v2/pages/8580///academics/cl/wp-json/wp/v2/pages/8580//www.routledge.com/academics/cl/wp-json/wp/v2/pages/8580//Crowds-and-Politics-in-North-Africa-Tunisia-Algeria-and-Libya/academics/cl/wp-json/wp/v2/pages/8580//Khalil/academics/cl/wp-json/wp/v2/pages/8580//p/academics/cl/wp-json/wp/v2/pages/8580//book/academics/cl/wp-json/wp/v2/pages/8580//9780415739870/academics/cl/wp-json/wp/v2/pages/8580/">Crowds and Politics in North Africa: Tunisia, Algeria and Libya</academics/cl/wp-json/wp/v2/pages/8580//a></academics/cl/wp-json/wp/v2/pages/8580//em>. London: Routledge, 2014 (Paperback, 2016).</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li><em>North African Cinema in a Global Context: Through the Lens of Diaspora</academics/cl/wp-json/wp/v2/pages/8580//em>. London: Routledge, 2008.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li><em>The Arab Avant-Garde: Experiments in North African Art and Literature.</academics/cl/wp-json/wp/v2/pages/8580//em>/academics/cl/wp-json/wp/v2/pages/8580/u00a0Westport, Conn.: Praeger, 2003.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n</academics/cl/wp-json/wp/v2/pages/8580//ul>/academics/cl/wp-json/wp/v2/pages/8580/n<p><strong>Grants</academics/cl/wp-json/wp/v2/pages/8580//strong></academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<ul>/academics/cl/wp-json/wp/v2/pages/8580/n<li>Fulbright Scholar, Tunisia 2012-2013.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>Mellon Fellowship for Mid-Career faculty at the CUNY Graduate Center (2011).</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n</academics/cl/wp-json/wp/v2/pages/8580//ul>/academics/cl/wp-json/wp/v2/pages/8580/n<p><strong>Professional Activities</academics/cl/wp-json/wp/v2/pages/8580//strong></academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<ul>/academics/cl/wp-json/wp/v2/pages/8580/n<li>Spring semester 2022: Germaine Tillon Chair Research Fellow, Mediterranean Institute for Advanced Research (IM/academics/cl/wp-json/wp/v2/pages/8580/u00e9RA), Aix-Marseille University, Marseille, France.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>Board of Directors and Program Officer, American Institute for Maghreb Studies, 2009-present.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>Faculty Fellow (2008-2009) /academics/cl/wp-json/wp/v2/pages/8580/u201cGreat Issues Forum: Power in the Contemporary World/academics/cl/wp-json/wp/v2/pages/8580/u201d at The Center for the Humanities, CUNY Graduate Center, sponsored jointly by the Chancellor/academics/cl/wp-json/wp/v2/pages/8580/u2019s Office and the Carnegie Corporation of New York.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>Member of the Faculty of Middle Eastern Studies, CUNY Graduate Center.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>Director of the /academics/cl/wp-json/wp/v2/pages/8580/u2018Centre d/academics/cl/wp-json/wp/v2/pages/8580/u2019/academics/cl/wp-json/wp/v2/pages/8580/u00e9tudes maghr/academics/cl/wp-json/wp/v2/pages/8580/u00e9bines /academics/cl/wp-json/wp/v2/pages/8580/u00e0 Tunis/academics/cl/wp-json/wp/v2/pages/8580/u2019 (CEMAT) (Center for Maghreb Studies), Tunis, Tunisia (October 2001-October 2002).</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n</academics/cl/wp-json/wp/v2/pages/8580//ul>/academics/cl/wp-json/wp/v2/pages/8580/n<p><strong>Selected Articles</academics/cl/wp-json/wp/v2/pages/8580//strong></academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<ul>/academics/cl/wp-json/wp/v2/pages/8580/n<li>/academics/cl/wp-json/wp/v2/pages/8580/u201cThe Political Crowd: Theorizing Popular Revolt in North Africa/academics/cl/wp-json/wp/v2/pages/8580/u201d, in Contemporary Islam: Dynamics of Muslim Life. Springer, 2011.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>/academics/cl/wp-json/wp/v2/pages/8580/u201cAbdelkebir Khatibi/academics/cl/wp-json/wp/v2/pages/8580/u201d, Biographical Encyclopedia of the Modern Middle East. Thomson Gale Publishers, 2007.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>/academics/cl/wp-json/wp/v2/pages/8580/u201cWomen, Gender and Women/academics/cl/wp-json/wp/v2/pages/8580/u2019s Fiction Writers: North Africa,/academics/cl/wp-json/wp/v2/pages/8580/u201d Encyclopedia of Women and Islamic Cultures, Brill Academic Publishers, 2007.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>/academics/cl/wp-json/wp/v2/pages/8580/u201cA Writing in Points: Autobiography and the Poetics of the Tattoo/academics/cl/wp-json/wp/v2/pages/8580/u201d, The Journal of North African Studies, Frank Cass Publishers, Volume 8, No. 2, summer 2003.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>/academics/cl/wp-json/wp/v2/pages/8580/u201cAnother Image of Tunisia: A Film Short Trilogy by Moncef Dhouib/academics/cl/wp-json/wp/v2/pages/8580/u201d in The Journal of North African Studies, Frank Cass Publishers, volume 7, number 2, summer 2002.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>/academics/cl/wp-json/wp/v2/pages/8580/u201cImages that Come out at Night: Moncef Dhouib/academics/cl/wp-json/wp/v2/pages/8580/u201d in CELAAN Journal /academics/cl/wp-json/wp/v2/pages/8580/u201cCentre d/academics/cl/wp-json/wp/v2/pages/8580/u2019Etudes des Litt/academics/cl/wp-json/wp/v2/pages/8580/u00e9ratures et des Arts d/academics/cl/wp-json/wp/v2/pages/8580/u2019Afrique du Nord/academics/cl/wp-json/wp/v2/pages/8580/u201d special issue /academics/cl/wp-json/wp/v2/pages/8580/u201cCin/academics/cl/wp-json/wp/v2/pages/8580/u00e9ma Maghr/academics/cl/wp-json/wp/v2/pages/8580/u00e9bin/academics/cl/wp-json/wp/v2/pages/8580//Maghrebian Cinema/academics/cl/wp-json/wp/v2/pages/8580/u201d vol.1, n.1, summer 2002.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>/academics/cl/wp-json/wp/v2/pages/8580/u201cAffect and Ruin in Assia Djebar/academics/cl/wp-json/wp/v2/pages/8580/u2019s /academics/cl/wp-json/wp/v2/pages/8580/u201dVaste est la prison/academics/cl/wp-json/wp/v2/pages/8580/u201d in ALIF journal of Comparative Poetics, volume 20, /academics/cl/wp-json/wp/v2/pages/8580/u201cThe Hybrid Literary Text: Arab Creative Authors Writing in Foreign Languages/academics/cl/wp-json/wp/v2/pages/8580/u201d. Cairo, Egypt. Spring 2000.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>/academics/cl/wp-json/wp/v2/pages/8580/u201cThe Myth of the False: Ramses Younan and post-structuralism avant la lettre/academics/cl/wp-json/wp/v2/pages/8580/u201d, in The Arab Studies Journal, /academics/cl/wp-json/wp/v2/pages/8580/u201cLanguage and Culture in the Arab World/academics/cl/wp-json/wp/v2/pages/8580/u201d, Washington DC, winter 2000.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>/academics/cl/wp-json/wp/v2/pages/8580/u201cThe Suture: Tahar Ben Jelloun/academics/cl/wp-json/wp/v2/pages/8580/u2019s La Pri/academics/cl/wp-json/wp/v2/pages/8580/u00e8re de l/academics/cl/wp-json/wp/v2/pages/8580/u2019absent/academics/cl/wp-json/wp/v2/pages/8580/u201d, in Litt/academics/cl/wp-json/wp/v2/pages/8580/u00e9R/academics/cl/wp-json/wp/v2/pages/8580/u00e9alit/academics/cl/wp-json/wp/v2/pages/8580/u00e9 /academics/cl/wp-json/wp/v2/pages/8580/u201cDiaspora Maghr/academics/cl/wp-json/wp/v2/pages/8580/u00e9bine/academics/cl/wp-json/wp/v2/pages/8580/u201d, University of York, Toronto Winter 2000.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>/academics/cl/wp-json/wp/v2/pages/8580/u201cReturning and the Body in Abdelwahab Meddeb/academics/cl/wp-json/wp/v2/pages/8580/u2019s Talismano/academics/cl/wp-json/wp/v2/pages/8580/u201d in Itineraires, volume 27, /academics/cl/wp-json/wp/v2/pages/8580/u201cNouvelles approaches des texts litt/academics/cl/wp-json/wp/v2/pages/8580/u00e9raires maghr/academics/cl/wp-json/wp/v2/pages/8580/u00e9bins ou migrants/academics/cl/wp-json/wp/v2/pages/8580/u201d. Paris: Harmattan, fall 1999.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n<li>Translation of /academics/cl/wp-json/wp/v2/pages/8580/u201cSociologie et Identit/academics/cl/wp-json/wp/v2/pages/8580/u00e9 en Egypte et au Maroc: Le travail de deuil de la colonisation/academics/cl/wp-json/wp/v2/pages/8580/u201d, by Alain Roussillon, for Cambridge History of Social Sciences. Issue: /academics/cl/wp-json/wp/v2/pages/8580/u201cThe Internationalization of the Social Sciences/academics/cl/wp-json/wp/v2/pages/8580/u201d, 1998.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n</academics/cl/wp-json/wp/v2/pages/8580//ul>/academics/cl/wp-json/wp/v2/pages/8580/n<p><strong>Edited Volumes</academics/cl/wp-json/wp/v2/pages/8580//strong></academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n<ul>/academics/cl/wp-json/wp/v2/pages/8580/n<li>Editor of Special Issue of The Journal of North African Studies (Volume 12, No. 3, September, 2007): /academics/cl/wp-json/wp/v2/pages/8580/u201cThrough the Lens of Diaspora: North African Cinema in a Global Context/academics/cl/wp-json/wp/v2/pages/8580/u201d. Author of article: /academics/cl/wp-json/wp/v2/pages/8580/u201cThe Myth of Masculinity in the Films of Merzak Allouache/academics/cl/wp-json/wp/v2/pages/8580/u201d, (30pp); Author of Introduction.</academics/cl/wp-json/wp/v2/pages/8580//li>/academics/cl/wp-json/wp/v2/pages/8580/n</academics/cl/wp-json/wp/v2/pages/8580//ul>/academics/cl/wp-json/wp/v2/pages/8580/n<p>[/academics/cl/wp-json/wp/v2/pages/8580//et_pb_text][/academics/cl/wp-json/wp/v2/pages/8580//et_pb_column][/academics/cl/wp-json/wp/v2/pages/8580//et_pb_row][/academics/cl/wp-json/wp/v2/pages/8580//et_pb_section]</academics/cl/wp-json/wp/v2/pages/8580//p>/academics/cl/wp-json/wp/v2/pages/8580/n","protected":false},"excerpt":{"rendered":"<p>Andrea Khalil Professor, Comparative LiteratureQueens/academics/cl/wp-json/wp/v2/pages/8580/u00a0Hall 265D718-997-5684andrea.khalil@qc.cuny.edu Professor, PhD Program in FrenchThe Graduate Center, CUNY365 5th AvenueNew York, NY 10016 Primary Concentrations Literature and Film of France, North Africa and the Middle East; postcolonial studies; film studies, cultural studies. Education PhD, Harvard University MA, Harvard University Books Gender, Women and the Arab Spring. Ed. Andrea Khalil. 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