{"id":8565,"date":"2022-04-25T14:46:32","date_gmt":"2022-04-25T18:46:32","guid":{"rendered":"http:/academics/cl/wp-json/wp/v2/pages/8565///academics/cl/wp-json/wp/v2/pages/8565//149.4.100.129/academics/cl/wp-json/wp/v2/pages/8565//academics/academics/cl/wp-json/wp/v2/pages/8565//cl/academics/cl/wp-json/wp/v2/pages/8565//?page_id=8565"},"modified":"2022-04-25T15:37:02","modified_gmt":"2022-04-25T19:37:02","slug":"christopher-winks","status":"publish","type":"page","link":"https:/academics/cl/wp-json/wp/v2/pages/8565///academics/cl/wp-json/wp/v2/pages/8565//www.qc.cuny.edu/academics/cl/wp-json/wp/v2/pages/8565//academics/academics/cl/wp-json/wp/v2/pages/8565//cl/academics/cl/wp-json/wp/v2/pages/8565//faculty/academics/cl/wp-json/wp/v2/pages/8565//christopher-winks/academics/cl/wp-json/wp/v2/pages/8565//","title":{"rendered":"Christopher Winks"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; theme_builder_area=&#8221;post_content&#8221; _builder_version=&#8221;4.17.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_row _builder_version=&#8221;4.17.1&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column _builder_version=&#8221;4.17.1&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.1&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]</academics/cl/wp-json/wp/v2/pages/8565//p>/academics/cl/wp-json/wp/v2/pages/8565/n<h3><img decoding=/academics/cl/wp-json/wp/v2/pages/8565/"async/academics/cl/wp-json/wp/v2/pages/8565/" data-src=/academics/cl/wp-json/wp/v2/pages/8565/"https:/academics/cl/wp-json/wp/v2/pages/8565///academics/cl/wp-json/wp/v2/pages/8565//www.qc.cuny.edu/academics/cl/wp-json/wp/v2/pages/8565//academics/academics/cl/wp-json/wp/v2/pages/8565//cl/academics/cl/wp-json/wp/v2/pages/8565//wp-content/academics/cl/wp-json/wp/v2/pages/8565//uploads/academics/cl/wp-json/wp/v2/pages/8565//sites/academics/cl/wp-json/wp/v2/pages/8565//75/academics/cl/wp-json/wp/v2/pages/8565//2022/academics/cl/wp-json/wp/v2/pages/8565//04/academics/cl/wp-json/wp/v2/pages/8565//christopher-winks.jpg/academics/cl/wp-json/wp/v2/pages/8565/" width=/academics/cl/wp-json/wp/v2/pages/8565/"180/academics/cl/wp-json/wp/v2/pages/8565/" height=/academics/cl/wp-json/wp/v2/pages/8565/"279/academics/cl/wp-json/wp/v2/pages/8565/" alt=/academics/cl/wp-json/wp/v2/pages/8565/"Winks Headshot/academics/cl/wp-json/wp/v2/pages/8565/" class=/academics/cl/wp-json/wp/v2/pages/8565/"wp-image-8559 alignnone size-full lazyload/academics/cl/wp-json/wp/v2/pages/8565/" style=/academics/cl/wp-json/wp/v2/pages/8565/"--smush-placeholder-width: 180px; --smush-placeholder-aspect-ratio: 180/academics/cl/wp-json/wp/v2/pages/8565//279;font-size: 16px;float: right/academics/cl/wp-json/wp/v2/pages/8565/" src=/academics/cl/wp-json/wp/v2/pages/8565/"data:image/academics/cl/wp-json/wp/v2/pages/8565//svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==/academics/cl/wp-json/wp/v2/pages/8565/" /academics/cl/wp-json/wp/v2/pages/8565//>Christopher Winks</academics/cl/wp-json/wp/v2/pages/8565//h3>/academics/cl/wp-json/wp/v2/pages/8565/n<p>Christopher Winks (PhD, Comparative Literature, New York University; MA, Poetics, New College of California; BA, French, University of California, Berkeley) is a scholar of comparative modernisms, with particular emphasis on Caribbean, Latin American, and African-American literature. He has taught in numerous universities, including New York University, Columbia University, Medgar Evers College (CUNY), the Universidad Nacional Aut/academics/cl/wp-json/wp/v2/pages/8565/u00f3noma de M/academics/cl/wp-json/wp/v2/pages/8565/u00e9xico, and the Universidad Iberoamericana (Mexico City). /academics/cl/wp-json/wp/v2/pages/8565/u00a0He is the author of a comparative study,<span>/academics/cl/wp-json/wp/v2/pages/8565/u00a0</academics/cl/wp-json/wp/v2/pages/8565//span><em>Symbolic Cities in Caribbean Literature</academics/cl/wp-json/wp/v2/pages/8565//em>/academics/cl/wp-json/wp/v2/pages/8565/u00a0(Palgrave Macmillan, 2009), and he has published articles reviews, and translations (from French and Spanish) in many venues, including<span>/academics/cl/wp-json/wp/v2/pages/8565/u00a0</academics/cl/wp-json/wp/v2/pages/8565//span><em>Comparative Literature</academics/cl/wp-json/wp/v2/pages/8565//em>,<span>/academics/cl/wp-json/wp/v2/pages/8565/u00a0</academics/cl/wp-json/wp/v2/pages/8565//span><em>Small Axe</academics/cl/wp-json/wp/v2/pages/8565//em>,<span>/academics/cl/wp-json/wp/v2/pages/8565/u00a0</academics/cl/wp-json/wp/v2/pages/8565//span><em>Review: /academics/cl/wp-json/wp/v2/pages/8565/u00a0Literature and Arts of the Americas</academics/cl/wp-json/wp/v2/pages/8565//em>,<span>/academics/cl/wp-json/wp/v2/pages/8565/u00a0</academics/cl/wp-json/wp/v2/pages/8565//span><em>African American Review</academics/cl/wp-json/wp/v2/pages/8565//em>,<span>/academics/cl/wp-json/wp/v2/pages/8565/u00a0</academics/cl/wp-json/wp/v2/pages/8565//span><em>Poligraf/academics/cl/wp-json/wp/v2/pages/8565/u00edas</academics/cl/wp-json/wp/v2/pages/8565//em>,/academics/cl/wp-json/wp/v2/pages/8565/u00a0<em>The Brooklyn Rail</academics/cl/wp-json/wp/v2/pages/8565//em>, and in several book-length edited collections. /academics/cl/wp-json/wp/v2/pages/8565/u00a0Recent public presentations include talks on Aim/academics/cl/wp-json/wp/v2/pages/8565/u00e9 C/academics/cl/wp-json/wp/v2/pages/8565/u00e9saire, James Baldwin, and Afro-diasporic aesthetics. /academics/cl/wp-json/wp/v2/pages/8565/u00a0He is/academics/cl/wp-json/wp/v2/pages/8565/u00a0the editor and co-translator with Adriana Gonz/academics/cl/wp-json/wp/v2/pages/8565/u00e1lez Mateos of<span>/academics/cl/wp-json/wp/v2/pages/8565/u00a0</academics/cl/wp-json/wp/v2/pages/8565//span><em>Los danzantes del tiempo,<span>/academics/cl/wp-json/wp/v2/pages/8565/u00a0</academics/cl/wp-json/wp/v2/pages/8565//span></academics/cl/wp-json/wp/v2/pages/8565//em>a bilingual English-Spanish anthology of Kamau Brathwaite&#8217;s poems that received the 2011 Casa de las Am/academics/cl/wp-json/wp/v2/pages/8565/u00e9ricas prize. /academics/cl/wp-json/wp/v2/pages/8565/u00a0Among the other authors he has translated are Jorge Luis Borges, /academics/cl/wp-json/wp/v2/pages/8565/u00e9douard Glissant, Jos/academics/cl/wp-json/wp/v2/pages/8565/u00e9 Kozer, H/academics/cl/wp-json/wp/v2/pages/8565/u00e9ctor Abad Faciolince, Cecilia Vicu/academics/cl/wp-json/wp/v2/pages/8565/u00f1a, and Lila Zemborain. /academics/cl/wp-json/wp/v2/pages/8565/u00a0Current projects include<span>/academics/cl/wp-json/wp/v2/pages/8565/u00a0</academics/cl/wp-json/wp/v2/pages/8565//span><em>Labyrinth</academics/cl/wp-json/wp/v2/pages/8565//em>,/academics/cl/wp-json/wp/v2/pages/8565/u00a0a bilingual English-Spanish anthology of the selected writings of Cuban poet Lorenzo Garc/academics/cl/wp-json/wp/v2/pages/8565/u00eda Vega, and a study of Caribbean Negritude poetics and its ramifications and offshoots in the poetry of the Americas.</academics/cl/wp-json/wp/v2/pages/8565//p>/academics/cl/wp-json/wp/v2/pages/8565/n<p>[/academics/cl/wp-json/wp/v2/pages/8565//et_pb_text][/academics/cl/wp-json/wp/v2/pages/8565//et_pb_column][/academics/cl/wp-json/wp/v2/pages/8565//et_pb_row][/academics/cl/wp-json/wp/v2/pages/8565//et_pb_section]</academics/cl/wp-json/wp/v2/pages/8565//p>/academics/cl/wp-json/wp/v2/pages/8565/n","protected":false},"excerpt":{"rendered":"<p>Christopher Winks Christopher Winks (PhD, Comparative Literature, New York University; MA, Poetics, New College of California; BA, French, University of California, Berkeley) is a scholar of comparative modernisms, with particular emphasis on Caribbean, Latin American, and African-American literature. He has taught in numerous universities, including New York University, Columbia University, Medgar Evers College (CUNY), the 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